So what has improved in DxO PhotoLab 6?īuilding on its simple but powerful PhotoLibrary system, DxO PhotoLab 6 extends its range of Exif and IPTC tags, adds nesting for Projects, and introduces color labels for easier organization and management of files DxO Labs The PhotoLibrary has been the achilles heel for PhotoLab for quite a while now, it has been improved incrementally and PhotoLab 5 made a breakthrough in making metadata fields compatible with Adobe Lightroom. However Adobe have the market covered by the sheer breadth of their portfolio so for Luminar, ON1, Capture One and DxO the challenge is to extend the capability of the product while maintaining compatibility with Adobe.ĭxO have addressed this challenge by creating a smooth import/export workflow into the Adobe family – so I can for example keep my photo library in Lightroom, export to PhotoLab for Raw processing and save it seamlessly back into my library. Taking Adobe as the target, and Luminar, ON1 and Capture One as the competition, on RAW processing I think DxO PhotoLab 6 comes out better than anyone. This database comes from their sister company, DxOMark whose business is testing lenses, and provides the industry benchmark for manufacturers. You can download DxO ViewPoint 2.5 today for $79.DxO are differentiated from all other vendors by their vast database of lens and body characteristics and their ability to provide corrections for lens/body combinations. One of the other upgrades ViewPoint 2.5 brings is the ability for it to be used as a plugin with DxO Optics Pro. The newest version improves on the software’s abilities to correct for perspective problems, barrel distortion, and volume deformation. Lastly DxO has updated its perspective manipulating software with ViewPoint 2.5. Users will find all their settings neatly arranged in a lateral menu for quick and easy access.ĭxO FilmPack 5 is also available now with the Essential Edition priced at $79 and $129 for the Elite Edition. Like Optics Pro 10, FilmPack 5’s interface has been redesigned. These new additions include black and white favorites like Adox Silvermax 21 and Fujifilm Neopan 400, as well as new color options such as Kodak Portra 400.įilmPack 5 also adds RAW format support with the standalone version, whereas the older versions required the app to be run as a plugin to work with RAW images. The Essential Edition rings up to $129 and the Elite Edition costs $199.Īside from the newly minted version of Optics Pro, DxO has also added 16 new analog film renderings in FilmPack 5. To coincide with Photo Plus happening in New York, DxO Optics Pro 10 launches today. ![]() Lastly DxO Mark has overhauled the Optics Pro 10 interface to be more intuitive, follow the incoming flat look of the OS X Yosemite, and will load images 10 times faster on Windows and Mac systems plus. This is also the first version of Optics Pro that will work seamlessly with DNG files created by Lightroom and Adobe’s DNG convertor. This lets you edit your images and always return to the original photo whenever you please. The biggest kicker is DxO Optics Pro 10 will now work in Lightroom in a non-destructive workflow. Optics Pro 10 can also apply optical corrections for over 20,000 different camera and lens combinations. Users can expect even better Denoising performance, an improved lens softness tool as well as Smartlighting to intelligently bring back details lost in shadow. The software company says it’s the perfect way to bring back the contrast of images shot in fog or pollution.Īcross the board DxO Labs has improved all the features previously seen on Optics Pro 9. ![]() Optics Pro 10 also brings new features called ClearView to reduce the effect of haze. ![]() Starting with DxO Optics Pro 10, the biggest and foremost change is that version 10 will work with all cameras no matter which edition you get. DxO Labs has unleashed whole new fleet of photo editing software.
0 Comments
Leave a Reply. |